As a story structure, it reminds a postmodern novel: fragmented, plot-less and on first view: chaotic. Individual pieces can be rearranged and each one has its own life. In terms of genre, the film stands on the border between pseudo-documentary, dark comedy, punk (as an attitude) and video-art.
Max was 13 when he was offered his first camera. For 25 years, he will not stop filming friends, loves, successes and failures. From the 90s to the 2010s, this is the portrait of a whole generation that is emerging through its objective.